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Does Kate still exist?

Thankfully, the answer is “YES!”

It’s been awfully dull around here, even though I had made a promise to myself and to my readers this summer that I’d invest more time and energy in this blog.  I’m one of those perfectionist types; it definitely serves me well in some areas (like quality control of my work!), and not so well in others.   This blog is a great example of where perfectionism nips a potentially fruitful project in the bud.   I need to allow myself some room to feel bumbly and un-perfect before I become skilled at it… otherwise I’ll never allow myself to begin!

As a matter of fact, I’ve been meaning to post an article on this very subject for a while titled “What If The Secret to Success Is Failure?” by Paul Tough.   I stumbled across it on the education blog Classroom as Microcosm – which you should check out and follow! – and it provoked much thought for me.  As the article points out, our contemporary educational system doesn’t put that much emphasis on effort, especially if the result of that effort is a less than perfect attempt at completing an assignment or learning a new skill.   However, our very ability to improve and expand our sense of self is contingent on these failures.  If we’re standing in an unfamiliar and darkened room, we need to bump into walls in order to know its shape; likewise, failure teaches us the outer edges of our ability, our likes and dislikes, and spurs us to think creatively about different ways to approach our challenge.

More on this later.  I’m in love with this subject, and strive to infuse an emphasis on effort and the value of failure in my violin teaching.

Hope you’re all having a cozy evening – here in MD it’s finally feeling like winter!!

 

I’m trying to think of when I first heard of Hamlet Gonashvili, and was therefore introduced to Georgian folk music.  If I recall correctly, it was sometime during the Spring semester of my one year of a Master’s degree; I would take breaks from practicing Bartok‘s Sonata No. 2 for Violin and Piano and would figure out how to play the songs sung by Gonashvili instead!

This is the first thing I ever heard him sing:

His voice is so warm and full.  As I’ve watched (pretty much) all of the videos that I can find of him on YouTube, I’ve tried to deduce the characteristics that seem unique to him, and that make him such a compelling performer.

It may seem like a superficial way of expressing it, but when other singers sustain a note, it sounds like they are doing it because they are supposed to.  When Gonashvili holds a note, I can hear his patience.  I can hear his willingness to live in the moment, and let himself only move on to the next when that moment has grown too full; I can hear him biding his time, knowing that every moment has its place in the continuum of a song.

Great teachers, leaders, healers, musicians, and spiritual people have expertise in a certain area, and that knowledge helps them to guide others.  (Certainly Gonashvili is an excellent singer–he has wonderful breath control, executes the melismas characteristic of his country’s music effortlessly.)  However, I think that their more important quality is the ability to surrender to the moment, and it is that quality which allows them to connect to others so deeply.  Why is this?  When one experiences NOW, we relinquish our claims on the past and the future, and step into the unknown.  We give up our plan of “how this phrase will go”, and instead choose mystery.

This is what makes all of us equals, and this is what connects us.  No matter what our lot in life, we all have the present moment as well as the self-consciousness that makes us forget it.

Whenever I hear a great artist, they take me out of my “self” that I carry around with me all day, and put me into pure being.  They are willing to be in the moment and not know what’s coming next, and if I’m willing to live in the moment with them, they help me to open up my world.

There are many other artists that can suspend/stretch/eliminate time like this (one other I can think of is Baryshnikov)… which  are your favorites?  What helps you to live in the moment?

A re(new)ed purpose

Hello to everyone reading this!

I have neglected this space for quite a while, but I have recently found new direction in my musical and intellectual life, and am looking forwards to this blog reflecting my new areas of focus.

I am beginning to research my interest in the intersection of music, psychology, music therapy and anthropology.  My aim is to review the ideas in the multitudes of books and articles that I read, in hopes of honing my own thoughts and contributing something useful.  I will also use this blog as an informal way to update you about the other things going on in my life, although this will be of secondary importance.

I’m excited to share my enthusiasm about all of this with whoever is willing to listen.  As I’m just embarking on this journey, I’m not sure how many answers there are out there yet for the questions I have… so, if you’re okay with bumbling along with me through my mistakes, oversights and shortcomings, hopefully some of my best thinking will shine through and make your attention worthwhile.

Thank you!

Reading this article is kind of an “oh jeez, he’s writing all the things that I’ve thought about” experience, in that it says so many things that are obviously important (at least to me!).  However, it’s rare to see all these ideas so well articulated… which is something I definitely need to work on. :)

Until the writing skills get a booster, here ya go!
The Peggy Glanville Hicks Address

As I’m just getting this website started, I don’t have much content up here, especially in terms of performances.  (A goal of mine for graduate school is to create more performance opportunities, so hopefully this section of the website will grow along with me.)   HOWEVER, click on this link and you’ll have a list of performances soon to arrrive! :)